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The Filipino primitive : accumulation and resistance in the American museum / Sarita Echavez See.

By: Material type: TextTextPublication details: Quezon City : Ateneo De Manila Press, c2018.Description: xii, 236 pages : illustrations ; 23 cmISBN:
  • 9789715508803
Subject(s): LOC classification:
  • GN 36 .S44 2018
Contents:
Introduction: accumulating the primitive.--Part I. The archive: dispossession by accumulation.--Part II. The repertoire of dispossession.--Conclusion: accumulation now and then.
Summary: This book Filipino Primitive takes Karl Marx's concept of "primitive accumulation, " usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation subtending imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the development of an American accumulative drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of an accumulative epistemology, even as they articulate powerful alternative, anti-accumulativesocial ecologies.
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Holdings
Item type Current library Home library Collection Shelving location Call number Copy number Status Date due Barcode
Filipiniana Filipiniana NU BALIWAG NU BALIWAG Filipiniana SHS-Filipiniana FIL GN 36 .S44 2018 (Browse shelf(Opens below)) c.1 Available NUBSHS00000365

Includes notes, bibliography , and index

Introduction: accumulating the primitive.--Part I. The archive: dispossession by accumulation.--Part II. The repertoire of dispossession.--Conclusion: accumulation now and then.

This book Filipino Primitive takes Karl Marx's concept of "primitive accumulation, " usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation subtending imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the development of an American accumulative drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of an accumulative epistemology, even as they articulate powerful alternative, anti-accumulativesocial ecologies.

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